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crafty_packratI went with my friend A to see A Matter of Life and Death (AKA Stairway to Heaven) today -- it's a 1946 film about a bomber pilot who miraculously survives bailing out without a parachute, and then has the celestial bureaucracy come after him because one of their conductors missed him when he was supposed to be collected.
The conceit of the living world being in Technicolor and the next world in black and white really worked well, and there were some hilarious character notes, like when a bomber crew of Americans come into the heavenly processing area and are delighted to find a Coke machine, or when the first jury is replaced for being made up exclusively of people who would have a bias against the pilot for being English, and the new jury is made up exclusively of 1st generation Americans of exactly the same ethnicities! Also, the judge of the afterlife trial had an excellent Voice of God, and will be an actor I "Hey, it's that guy!" in the future.
On Friday,fabrisse, A, and I went to see the Mixed Masters ballet program at the Kennedy Center. It was Serenade by George Balanchine, Symphonic Variations by Fredrick Ashton, and The Concert (or, The Perils of Everybody) by Jerome Robbins, which was hilarious -- and I've never seen a comedic ballet before!
The conceit of the living world being in Technicolor and the next world in black and white really worked well, and there were some hilarious character notes, like when a bomber crew of Americans come into the heavenly processing area and are delighted to find a Coke machine, or when the first jury is replaced for being made up exclusively of people who would have a bias against the pilot for being English, and the new jury is made up exclusively of 1st generation Americans of exactly the same ethnicities! Also, the judge of the afterlife trial had an excellent Voice of God, and will be an actor I "Hey, it's that guy!" in the future.
On Friday,
fabrisse, A, and I went to see the Mixed Masters ballet program at the Kennedy Center. It was Serenade by George Balanchine, Symphonic Variations by Fredrick Ashton, and The Concert (or, The Perils of Everybody) by Jerome Robbins, which was hilarious -- and I've never seen a comedic ballet before!
